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MITSUAKI KOJIMA |
One by one, our beloved pink blossoms have all but fallen, leaving
behind a wide blue sky. Where does the hue of this glorious,
yet somehow melancholic color blue come from? Writing from Toronto,
Marshall Hryciuk, past-president of Haiku Canada, says he found
the source of this alluring color and shares his discovery in
the form of a two-line poem.
it begins in the distance
a blue powder in the canyon air
The Satsumasakura haiku circle meets each month in search
of intriguing metaphors. The club's spring meeting was held at
the height of the cherry blossom season in Kagoshima. A poem
by Takaharu Mori who compared the dance of the falling petals
to magic was selected as the favorite. An equally poignant haiku
moment, however, was captured by the leader of the club who found
inspiration in a simple stand of small blue flowers.
Refreshing
cherry petals dance
white magic
A dear friend
Canadian columbine
swinging in the wind
Keiko Fukunaga tends a continental garden from which she picks
the name of a flower to add metaphor to her craft. At the haiku
meeting she denoted friendship in terms of the blue-flowered
columbine. This North American member of the buttercup family
grows along the Pacific region. East of the Rockies it blooms
red. Tokyo writer Mickey Nasu also maintains a long-distance
relationship with a friend in the United States. His haiku mirrors
1909, when Tokyo sent 11 varieties of sakura as a goodwill gift
to Washington and received dogwood in return. Ali Miyazawa ponders
the loss of such beauty.
Dogwood in bloom
trans-Pacific friendship
once again
Rare cherry
in Somei cemetery
for what reason
The dogwood tree has showy flower clusters, shaped like a cross,
which is sometimes likened to Christianity, although Anna Akamatsu
and Tachibana Kennosuke chose different spring season words to
deepen their lament for Pope John Paul II.
Pope is gone
a strong south wind blows
this spring road
Pope John Paul II
died in his tall dignity
forget-me-not
The Meguro International Friendship Association held a meeting
on April 9 to discuss haiku submitted from around the world.
Haiku by Romanian writers were noteworthy, including one colored
blue by Vasile Moldovan and one without color from Manuela Miga.
Blue lights ashore-
fog signals and the tinkling
of bluebells
A marvelous haiku
is haunting me-
blank paper
Want to try composing haiku ?
Back numbers
The next issue of the Asahi Haikuist Network appears May 7.
Readers can mail haiku during Golden Week to David McMurray at
the Asahi Haikuist Network, International Herald Tribune/Asahi
Shimbun, 5-3-2 Tsukiji, Chuo-ku, Tokyo 104-8011 or fax 03-5541-8539.
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