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ASAHI HAIKUIST NETWORK


July 30-31, 2005

Morning sun:
shadow of the roof next door
enters my room


--Sagami Matsuda (Osaka)
Flags at half-mast
across the goldenrod
a shadow falls


--Patricia Neubauer
(Pennsylvania)
Two minutes:
the Thames overflows
silent tears


--Mickey Nasu
(Tokyo)
St. Ann's Chapel:
The windows all broken
and birds singing.


--Horst Ludwig
(Minnesota)
Monk's deep breath
moves the stick insect
lotus pond


--Hidenori Hiruta
(Akita)
Cicadas:
oratorio
from beyond


--Yutaka Kitajima
(Niigata)
Peace prayers
passing through three times
the reed arch


--Satoru Kanematsu
(Nagoya)
Hearing aid
skylarks high above
revive me


--Koju Fujieda
(Fukui)
Trumpet tree
the wind plays with
his flowers


--Marita Schrader
(Germany)


from the notebook

illust
MITSUAKI KOJIMA

In Germany, Angelika Wienert joins haikuists worldwide such as Mickey Nasu in Tokyo and Horst Ludwig in Minnesota to comment on the second wave of terrorist strikes that hit London on July 21.

blasts in the tube ...
on the Rhine ferry
strangers talk


Patricia Neubauer contributed her haiku to commemorate the anniversary of 9/11. It was first printed in the Modern Haiku journal. In ``The Conscious Eye'' printed in Frogpond, the journal of the Haiku Society of America, Dee Evetts points out that hundreds of poems about 9/11 have been composed. Haiku about the war on terrorism flow readily from poets' pens. Similarly, the end of World War II is still commemorated writes Doc Sunday in Hiroshima.

Gradation
peace memorial
paper cranes


A literary search of some 5,000 poems published since 9/11 in the two aforementioned journals, plus Heron's Nest and Canadian Raw Nervz haiku magazines, reveals however that only 40 are about the war in Iraq. Similarly in a December 2004 survey of haiku poets attending a haiku meeting in Washington, Ruth Yarrow reported in the summer 2005 issue of Frogpond, that only four poets had published haiku about the war being waged in the Middle East. Yarrow concludes her essay noting that some haikuists ``with deep empathy can write from less immediate experience, such as photos of the distant war.'' Michael Corr wrote the following poem in Kyoto, perhaps after listening to a storyteller.

Talks haiku
wildcat logger from
Indian lands


The next poem by Zackary Glenn in Illinois shares a war memento, and J.D. Heskin in Duluth, Minnesota, sums up the challenges of communication between generations.

heavy brown leather
upon my shoulders
grandpa's bomber jacket


great great grandmother_
our phone conversation
awkward


Sosuke Kanda flew over the Amazon in Brazil where he caught this sight. Compare his simile to the surprise Sagami Matsuda had while walking along a sidewalk in Osaka.

Under a burning sun
great river weaving like a snake
through the forest


Snake
finding its long way
in the grass


Murasaki Sagano watched the Gion festival in Kyoto. Afterward, she composed this haiku in a coffee shop.

In a tall glass
coffee and milk mingle:
summer art


Want to try composing haiku ?

Back numbers

The next issue of the Asahi Haikuist Network appears Aug. 6. Send haiku based on photos in this newspaper to David McMurray at the International Herald Tribune/Asahi Shimbun, 5-3-2 Tsukiji, Chuo-ku, Tokyo 104-8011.
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