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ASAHI HAIKUIST NETWORK


Sep 30-Oct 1, 2006

Seagulls
drifting by boat
sea breeze


--Anne-Marie McHarg (London)
On the Thames
looking like summer rain
sudden breeze


--John Barton (Tokyo)
Looking for a friend
the foreign plant from India
blooms summer


--James R. Atkinson (British Columbia)
Summer friends
life in far off lands
painful joy


--Jackie Watson (London)
Tower of London--
guardian ravens caged
fears of "avian flu"


--Patricia Neubauer (Philadelphia)
Castle ruins
in Macbeth's forest--
Vespers


--Junko Yamada (Tokyo)
Rite of passage
near my 12th birthday
autumn woods


--Howard Lee Kilby (Arkansas)
Engines roar--
first off the ferry
those on foot


--Carmen Sterba (Seattle)
Japanese hotel--
Gideon and Buddha share
the same hotel


--Stanford M. Forrester (Connecticut)


from the notebook

illust
MITSUAKI KOJIMA

 Realizing a beautiful autumn day was taking shape overhead in Aomori, Tatsuko Toshima asked herself where she should visit. Having traveled to see one of the Seven Wonders of the World, German professor Horst Ludwig found himself asking a more practical question.

Where to go?
dragon shaped
floating clouds

Niagara Falls
giant parking area
Now, where's our car?

 Chicago-based haikuist Miriam Solon visited Japan three years ago and continues to write retrospective poems about her impressions.

I pet the green frog
Japan is very friendly
Oh, they're poisonous?

 Toshio Matsumoto asks a rhetorical question about his innermost feelings in a haiku that takes place in the space of a lightning flash over Osaka. Also in an introspective mood, Quebec poet Marco Fraticelli discovered a second or two of intense meditation.

Lightning
highlights my abyss
What did you see?

Just before
my echo
in the darkness

 Nobuko Masakawa successfully communicated with a crow in Osaka. In the woods near Madison, Wisconsin, Tom Dean spotted wild turkeys that in turn appeared to be watching him.

Copying its caw
crow on the telegraph pole
copies mine

In the woods
silent watchers
wild turkeys

 Writing from the volcano-covered island of Kailua in Hawaii, Susan Marie LaVallee spent a tranquil evening watching houselights go on. In Nagoya, the same autumn night was noisier for Satoru Kanematsu.

One light then another
deep in the valley
a twinkling darkness

Deep darkness
after the fireworks
insect songs

 Takashi Ikari took a walk from one part of Tokyo to another listening closely all the while to the sounds of autumn insects. Anna Akamatsu heard classical music in the winds that swept near her home in Kawasaki.

Cicadas
the chorus of Ueno differs
from Meguro

Autumn wind
on the morning street
Mozart plays

 Noriko Yoshida went to Canterbury, England, this summer to teach haiga, watercolor sketches that accompany haiku. Her student Louise Bruxton sketched the coastal town, and Rosalba Luongo sat down for a cup of English tea.

Crowded street
browsing here and there
sudden shower

English seaside
toes curled round
sandy pebbles

Summer morning
mulberry leaves
cup of tea

Want to try composing haiku ?

Back numbers

The next issue of the Asahi Haikuist Network appears Oct. 7. Readers are invited to send haiku for the autumn, contest announcements, club meetings, and haiku anthologies for review to David McMurray at the International Herald Tribune/Asahi Shimbun, 5-3-2 Tsukiji, Chuo-ku, Tokyo 104-8011, by fax to 03-5541-8539, or by e-mail to <is@asahi.com>.

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